Recalling a telephone conversation with my Attorney/WWII Veteran/Maternal Uncle... The rapid “machine gun” fire of his authoritative voice peppering me with questions regarding the definition of
an “Accompanist”, as though I was on the witness stand being grilled in Superior Court. Of course,while attempting to explain my viewpoint during his interrogation, my anger flared as my eyes flashed in righteous
indignation. However, having been taught to “honour and respect one’s elders”, I found myself adjusting my attitude, slowly retracting my proverbial fangs, and meekly responding, as I simultaneously purged
my ire by crunching down on Almonds!
In retrospect, my Maternal Uncle may not have been incorrect in his questioning what an Accompanist is. The issue lies not in the proper definition per se, but rather in how an Accompanist defines his
or herself... One who has the training, capacity, and flexibility to meet the demands of a Soloist harmoniously.
Hence, performing “with” a Soloist can be used to describe the function, and utility of an Accompanist; as opposed to “following” the lead of the Soloist during a performance.
College music curricula offer opportunities to both Piano and Piano Accompaniment students to both play and perform “with” any Instrument /Voice during lessons, in Chamber music class or during
Mini recitals. Then, of course, there are the “It’s an emergency, I need you” calls which offer little to no remuneration, much less enough time to rehearse... The result? A lot of practical experience,
and character building!
Okay, so by now you can probably tell that I’ve been through the gamut in the world of “Been there, done that” - including being fired. Happily, I moved forward successfully all the while
taking and incorporating these character building moments in stride.
All this to say, there is unfortunately no panacea for finding the “with” in one’s musical life. Sometimes, it’s a straight forward “gig” where everyone’s
role is clearly defined. Other times, it can appear to be a literal game of musical “accompanist” chairs. because some never find the equal footing demonstrated in performing “with” the Soloist,
but are relegated to “following” status due to misconceptions or the erroneous assumption that Accompanists are not as well-trained, or gifted enough musically as everyone else. Finally, there are those who must
adhere to Management requests to keep the peace, or keep the job.
My ultimate wish is that a performance be comprised “with” that which one needs from both Soloist and Accompanist - a collaborative harmony reached between professionals, whereby the moments
musical created together are glorious and live on for future generations to share and enjoy.
Photo: Elevator - Musical Instrument Museum, Brussels via Wikimedia Commons
| Daderot / Public Domain
